Review of Goodnight Mister Tom
Not many books manage to make me cry. In fact, very few things do. However, when I first read Goodnight Mister Tom the characters and their relationships tugged at my emotions and I sobbed. Well, maybe that’s a slight exaggeration. Anyway, the point is that it became one of my favourite books and I read it at least once a year.
So, naturally, any stage production had a lot to live up to and I was curious how the story would be presented on stage.
Tom Oakley (David Troughton) is a lonely and embittered old man still grieving for the loss of his wife and son forty years ago. When war comes, he is forced to take in an evacuee. William Beech (played in this performance by Joe Reynolds) comes from a troubled home and has not had a lot of love. Together, they learn how to be happy, until William is sent for by his mother…

Photo: Dan Tsantilis
Although there are plenty of children in the production, the roles of the twins and George are played by adults. This actually works quite well, as it allows William and Zach (Sonny Kirby) to stand out. The children aren’t perfect, but they are very good and Sonny plays the role with energy and gusto – as befits the character – while Joe captures the initial shyness and fear of William until he settles into his new life and we start to see him bloom.
David Troughton as Tom is wonderfully gruff and sad, but manages to keep a twinkle in his eye and over time he becomes quite endearing. Melle Stewart fooled me completely with the contrast between her roles of Annie Hartridge and Mrs Beech – I had no idea she was playing both until I looked at the programme!
Yet the stage belongs to Sammy (Elisa de Grey), Tom’s collie. Although a puppet, this was instantly forgotten and a real dog emerged, bounding about the stage and barking joyfully at absolutely everything.
Staging is well done, with a simple set that is full of surprises, particularly the transition from Little Weirwold to Deptford. The Beech household is reminisce of a prison and actually quite frightening, especially the scene where Tom and William are reunited under tragic circumstances.
In fact, there are so many emotional moments that it’s easy to forget that this is a children’s book. Michelle Magorian’s story blends the harsh realities of war with the struggles of family life, examining how people adapt under difficult circumstances.
The book is extremely powerful and the play is no less engaging, managing to be funny, poignant and educational. While it may not be the obvious choice for Christmas, children and adults alike will laugh and cry at this beautiful tale of love, loss and determination during the Second World War.
Goodnight Mister Tom is playing at The Duke of York’s theatre until February 2016.
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